Our soldier stands atop the embankment here with chunks of mud and grass on his boots and the facial expression of pride tempered with a breed of confusion. His glasses are wet and the small hairy man tells the woman he married to take digital photographs of the person in a helmet. Instead, she says "smile in camera" and takes several photographs of his face, a sequence of growing aggravation becoming anger becoming sorrow becoming a slow descent out of frame. The wife loses herself in her purse among the mints and spare change and receipts of food purchases and wordless sins.
The man on the ground looks to me to say something and he says "help me stand up again." I say "you can't stand up," and he says "okay, okay," and turns all concentration to the parts of his body currently engaged in gravitational intercourse with the dry golden grass and the person in a helmet steps away to the vehicle with the wandering voices speaking of games and the movie about the American general that's the greatest movie my father has ever seen, and President Nixon. He is shortly replaced by the chihuahua dressed in clothes. I am offered the mint with lint which I don't mind. I put it in my mouth and tolerate it until it is gone.